Tag Archives: Germany

Berlin, Germany: Winter Open Air Cinema a Cool Idea

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t’s a great idea that worked out well once in Berlin last night but it will not likely be the start of a new trend  – open air cinema in the middle of the winter.

Metropolis” is a magical film and well worth shivering along with 2,000 other hard-core fans of the 1927 BERLIN-FILM/classic in the middle of a snowstorm last night — an unforgettable experience.

But it’s hard to imagine open-air cinema in February becoming a winter-time rival to the drive-in.

The Berlin Film Festival came up with the splendid venue to give a very large public at large a chance to see the restored version of “Metropolis”, the mother of all sci-fi films that first flopped in 1927 before becoming one of the most famous movies ever made. The trade press has been gushing about the discovery in Argentina in 2008 of 30 minutes of the film that were cut and feared lost for good.

Organisers of the Berlinale gave the world premiere of the restored 83-year-old film the red carpet treatment with a special prime time screening at a sold-out 1,800-seat theatre. Because demand for the tickets greatly outstripped supply, Berlinale director Dieter Kosslick decided to beam a live stream of the screening of  ”Metropolis” and the live orchestra accompanying it simultaneously to a giant 312-metre square outdoor screen set up at the Brandenburg Gate in the heart of Berlin.

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Berlin, Germany: Berlinale Offers Several Great Options Including Free Outdoor Movie

With almost 400 films and countless other events accompanying this year’s Berlinale, choosing what to see can be a daunting task. Fortunately, The Local has sifted out a sampling of the festival’s most interesting offerings.

Second only to festivals in Cannes and Venice in glamour, the Berlinale claims to be the world’s largest film festival open to the public. Anyone with the pluck to negotiate the overwhelming lineup – 391 films with a total of 970 showings this year – can experience the best global cinema has to offer.

From the festival’s nine categories, the winners are:

BERLINALE SPECIAL

“Metropolis”
If you see nothing else this Berlinale, the freshly restored Metropolis should be on your list. But you only get one chance! Bundle up, grab your flask, and brave the frosty weather to see the legendary silent science fiction film in its original glory at an outdoor public showing at 8pm on February 12 at the Brandenburg Gate. If you prefer your sofa, broadcaster ARTE will be airing the film, along with the live orchestra soundtrack, at the same time.

COMPETITION

All twenty films competing for the top Golden Bear prize for best film, and the Silver Bears for best acting, production and screenplay, are likely to be well worth seeing. Here are a few of our favourites.

”Exit Through the Gift Shop”
The elusive graffiti artist Banksy’s first film is sure to be popular. Here he inverts the outside world’s curiosity about his persona with what he calls “a film about a man who is trying to make a film about me.”

”Howl”
Berlin hipsters are likely to flock to this flick, starring the dreamy James Francoas Allen Ginsberg during the San Francisco obscenity trial about the famousBeat Generation poet’s work “Howl.”

”Apart Together”
This period Chinese film opens the festival and depicts a soldier forced to flee communism for Taiwan in 1949 who more than 50 years later attempts to reunite with the love of his life – only by then she is married to sergeant in the communist army.

”The Ghost Writer
Following the highly-publicised legal drama in Roman Polanski’s personal life, all eyes will be on his new film starring Ewan McGregor, which was finished from the director’s Swiss chalet while on house arrest.

Kristen Allen

Excerpt from http://www.thelocal.de/lifestyle/20100211-17229.html

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Berlin, Germany: Outdoor Projection of Classic “Metropolis” to Include New Found Footage

The 60th Berlin Film Festival kicks off Thursday with the world premiere of “Apart Together”, a lush period drama from China and one of 20 pictures vying for the coveted Golden Bear top prize.

“Apart Together” director Wang Quan’an, part of China’s so-called sixth generation of film-makers, captured Berlin’s best picture award in 2007 for the unconventional love story “Tuya’s Marriage” set in the grasslands of Mongolia.

Quan’an, 44, will compete with Roman Polanski, Britain’s Michael Winterbottom and rivals from across Asia, Europe and the Americas at cinema’s first major international showcase of the year.

And Martin Scorsese will premiere his latest thriller starring Leonardo DiCaprio, “Shutter Island” at the Berlinale, albeit out of competition.

A jury led by German director Werner Herzog (”Fitzcarraldo”, “Rescue Dawn”) and including Oscar-winning actress Renee Zellweger will hand out the prizes February 20 before the event wraps up the following day.

“Apart Together” (Tuan Yuan) tells the story of a soldier who fought Mao’s Communist forces until forced to retreat to Taiwan in 1949.

Decades later, the aged veteran returns to Shanghai to find the love of his life and their son. But she has since married an officer in the People’s Liberation Army and is torn between her present and her past.

The picture will screen for the press at 1130 GMT ahead of a gala red-carpet premiere later Thursday with Quan’an and his stars Lisa Lu and Ling Feng.

The selection of “The Ghost Writer”, a new film by Polanski about an embattled former British prime minister based closely on Tony Blair, was the source of some controversy in the run-up to the festival.

The French-Polish film-maker will not be in Berlin as he is under house arrest in Switzerland for charges dating from the 1970s that he had unlawful sex with a 13-year-old girl. He is awaiting possible extradition to the US.

The movie, based on the Robert Harris bestseller “The Ghost”, had been considered as the Berlinale opener until organisers got cold feet.

“It might have been understood as a statement about something that we didn’t want to get mixed up in,” festival director Dieter Kosslick said.

The Berlin Film Festival, a creation of the Americans during the Cold War in occupied West Berlin, has become a must on the European cinema calendar, ranking second only to Cannes.

It enjoys a reputation for promoting edgy, politically charged fare.

The last Golden Bear winner, “The Milk of Sorrow” about rape victims during the 1980 to 2000 war between the Peruvian army and Shining Path guerrillas, has been nominated for an Oscar for best foreign-language film.

This year’s programme shines the spotlight on Asia in particular.

Japanese master Yoji Yamada, the maker of more than 80 films in his four-decade-long career, will screen his latest picture, “About Her Brother”, out of competition as the last of nearly 400 films at the festival.

Chinese veteran Zhang Yimou, another Golden Bear laureate, will present “A Woman, A Gun and A Noodle Shop” while Koji Wakamatsu of Japan will unveil “Caterpillar”.

And Bollywood heart-throb Shah Rukh Khan is due in town with “My Name is Khan”, a look at the treatment of Muslims around the world in the wake of the September 11, 2001 attacks in the United States.

This year’s 60th anniversary festival comes as Germany marks 20 years since its reunification. The Berlinale plans to pay tribute to the capital by staging screenings at beloved art-house cinemas throughout the city.

Another highlight will be an open-air projection at the Brandenburg Gate of the 1927 silent German classic “Metropolis” complete with lost footage unearthed in Argentina two years ago.

Deborah Cole

source-http://www.google.com/hostednews/afp/article/ALeqM5gDJBbh174L8n_biYVMrcjvtsv97w

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Berlin, Germany: Berlinale Film Festival to Feature Outdoor Showing of Classic “Metropolis”

Still Image from 'Metropolis"

This February sees Berlin beautifying itself with an abandon that can only be described as unabashed. And understandably so as the city continues to give that last-minute touch to preparations for the 60th anniversary celebrations of Berlinale, the world’s most beloved festival of films.

Festival Director Dieter Kosslick promises to put the public centrestage. This year the city itself is transformed into one big playground in the hope of inspiring the imagination of audiences to run as wild as the artist.

Apart from the screening of more than 400 films, visitors will engage in The Curtain, an art installation unveiled in the heart of the city. The Curtain is a concept of Christina Kim, a Korean American artist who creates a 300-square meter symbolic curtain from recycled film, billboards and other film-related material. When the dynamic curtain dances in the wind, it is expected to reflect splinters of sunlight into surprise shapes. At night, the same surface vows to mirror a totally different tone of tales. The opening of The Curtain on February 12 will be followed by an open-air screening of Metropolis, the 1927 classic at the Brandenburg Gate.

To watch the restored version of Metropolis, a futuristic science fiction silent film will also pay homage to Berlin in the era of the golden 1920s when the city was at its creative best. Before fascism put an end to the party, Berlin was home to the performances of Marlene Dietrich, Bertolt Brecht and inspired The Berlin Stories that went to create Cabaret, the 1972 Hollywood unforgettable, starring Liza Minelli.

Parade of the Stars, an exhibition of star portraits, is not confined to a venue but splashed around town in city light poster display cabinets. The large format portraits of stars, including Cate Blanchett, Kate Winslet and George Clooney, among others, are selected from the work of Berlinale’s own lensman, Gerhard Kassner.

Without doubt, Venice is the oldest, Edinburgh the longest, Cannes the most glamorous – but the Berlinale tops the list of film festivals that is the most audience-friendly. This festival opens its arms out widest to visitors; last year there were nearly 5,00,000 participants.
Launched in 1951 to provide entertainment to American soldiers occupying parts of the city after World War II and in an effort to revive the beauty and excitement of Berlin of the golden 1920s, Rebecca, Alfred Hitchcock’s psycho thriller from 1940, was chosen to inaugurate the first Berlinale. Joan Fontaine, the star of the film, was the main attraction. Soon, Berlinale blossomed into an event that was feted for ardent and genuine admirers and promotion of world cinema and fresh talent.

Satyajit Ray was on the jury in 1961. In 1973, his Ashani Sanket came home with the Golden Bear, the top prize of the festival.
Kosslick is the director since 2001 and now the backbone of the festival. Without discriminating between politics and entertainment, Kosslick has seduced politicians, businessmen and big name directors to look at the world through the eye of the artiste. With the goodwill and patronage that he has earned, Kosslick has added exciting activities to the festival like the World Cinema Fund and the Talent Campus that serve young filmmakers, particularly from developing countries.

Rezwan Shahriar Sumit, a Dacca filmmaker, was one of those rare participants from Bangladesh in 2008. Invited by the Berlinale Talent Campus with a short film called Citylife, Rezwan cites the time spent in Berlin as one of the most exciting in his life. In the forum Berlinale Flashback, open to participants to recall their memory, Rezwan says that he experienced an authentic sense of freedom after having submitted his film to the Berlinale.

This birthday special also has European fans of Indian cinema jumping with joy. Apart from the big budget, star-studded and limelight hogging My Name is Khan, the Generation 14 plus competition opens with Dev Benegal’s Road, Movie. Umesh Vinayak Kulkarni’s Vihir is participating together with Laxmikant Shetgaonkar’s The Man Beyond the Bridge that sees its European premiere at the Berlinale Forum.

The parallel cinema classic, Manthan, has made it to the Culinary Cinema section and under the motto In the Food for Love. The Shyam Benegal manna from 1976 completes a menu that promises to be as mouth watering as life itself.

Mehru Jaffer

source-http://www.hardnewsmedia.com/2010/02/3448

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